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Post Impressionism (English Edition)
€40,00
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The “Post-Impressionism” exhibition organized by the musée d’Orsay at the Louvre Abu Dhabi follows the great fall 2021 exhibition about Impressionism. This time, the exhibition focuses on the two bubbling decades between the mid 1880s and the mid 1900s, i.e. from the last collective exhibition of the Impressionists in 1886 to the
Autumn Salon of 1905 marked by the “Fauves” scandal: Derain, Matisse and Vlaminck, with their explosive colors.
This exhibition and its catalogue show the full span of pictorial reactions to Impressionism with masterpieces from the musée d’Orsay, by insisting on the richness and complexity of the Post-Impressionist constellation. Taking a monographic or a group approach, the exhibition seeks to highlight the intrinsic qualities of each painter’s work,
and the interactions between these artists, who are part of the Impressionist legacy and will inspire avant-garde artists like Braque or Picasso.
This catalogue, rich in images and essays, delves into the art of this fascinating and pivotal double decade, during which plastic expression gradually moved away from the
representation of reality towards the expression of the psychic, emotional and spiritual worlds of the artists.
details
EAN:
EAN
Author:
author
Year of publication:
2024
Number of pages:
240
Language:
English
Size:
Size
cm

Post-Impressionism is not an art movement. The term does not cover a single group that worked or exhibited collectively, or even a coherent body of work inspired by the same aesthetic. It refers above all to a trend shared by a new generation of artists who emerged in France in the mid-1880s: the desire to go beyond appearances, the quest for a dimension inaccessible to the eye, in a move beyond Impressionist spontaneity and in opposition to the realistic precision of the naturalism that triumphed in the Salon at the time. Although there were numerous links between this constellation of artists, it was not until 1910 that they acquired a name.
from the foreword by Sylvain Amic, President of the Musée d’Orsay and the Musée de l’Orangerie: «How can one be a revolutionary after the revolution? How can one paint a woman after Manet and look at a landscape after Monet? How can one play with light after Renoir, or frame a movement, and capture a moment after Degas? If, as Gauguin said, ‘Art is either plagiarism or revolution’, how was it possible to be artists and not just pale copyists after the Impressionist upheaval of the eye and the brush? It was quite a challenge. Yet, from the 1880s onwards, artists were rising to it, and in all kinds of ways.»
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